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 <front>
  <journal-meta>
   <journal-id journal-id-type="publisher-id">Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences</journal-id>
   <journal-title-group>
    <journal-title xml:lang="en">Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences</journal-title>
    <trans-title-group xml:lang="ru">
     <trans-title>Ученые записки Крымского федерального университета имени В. И. Вернадского. Филологические науки</trans-title>
    </trans-title-group>
   </journal-title-group>
   <issn publication-format="print">2413-1679</issn>
  </journal-meta>
  <article-meta>
   <article-id pub-id-type="publisher-id">105709</article-id>
   <article-id pub-id-type="doi">10.29039/2413-1679-2025-11-3-109-128</article-id>
   <article-categories>
    <subj-group subj-group-type="toc-heading" xml:lang="ru">
     <subject>Литературоведческий дискурс</subject>
    </subj-group>
    <subj-group subj-group-type="toc-heading" xml:lang="en">
     <subject>Literary discourse</subject>
    </subj-group>
    <subj-group>
     <subject>Литературоведческий дискурс</subject>
    </subj-group>
   </article-categories>
   <title-group>
    <article-title xml:lang="en">BARON DE BAZANCOURT: LITERATOR, HISTORIAN, MILITARY CORRESPONDENT. PART VIII. “LE MONTAGNARD…” VS “ANGE PITOU”</article-title>
    <trans-title-group xml:lang="ru">
     <trans-title>БАРОН ДЕ БАЗАНКУР: ЛИТЕРАТОР, ИСТОРИК, ВОЕННЫЙ КОРРЕСПОНДЕНТ. ЧАСТЬ VIII. «МОНТАНЬЯР…» VS «АНЖ ПИТУ»</trans-title>
    </trans-title-group>
   </title-group>
   <contrib-group content-type="authors">
    <contrib contrib-type="author">
     <name-alternatives>
      <name xml:lang="ru">
       <surname>Орехов</surname>
       <given-names>В. В.</given-names>
      </name>
      <name xml:lang="en">
       <surname>Orehov</surname>
       <given-names>V. V.</given-names>
      </name>
     </name-alternatives>
     <xref ref-type="aff" rid="aff-1"/>
     <xref ref-type="aff" rid="aff-2"/>
    </contrib>
   </contrib-group>
   <aff-alternatives id="aff-1">
    <aff>
     <institution xml:lang="ru">Крымский федеральный университет им. В. И. Вернадского</institution>
     <country>Россия</country>
    </aff>
    <aff>
     <institution xml:lang="en">Крымский федеральный университет им. В. И. Вернадского</institution>
     <country>Russian Federation</country>
    </aff>
   </aff-alternatives>
   <aff-alternatives id="aff-2">
    <aff>
     <institution xml:lang="ru">Крымский инженерно-педагогический университет имени Февзи Якубова</institution>
     <country>Россия</country>
    </aff>
    <aff>
     <institution xml:lang="en">Крымский инженерно-педагогический университет имени Февзи Якубова</institution>
     <country>Russian Federation</country>
    </aff>
   </aff-alternatives>
   <pub-date publication-format="print" date-type="pub" iso-8601-date="2025-10-23T14:53:39+03:00">
    <day>23</day>
    <month>10</month>
    <year>2025</year>
   </pub-date>
   <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2025-10-23T14:53:39+03:00">
    <day>23</day>
    <month>10</month>
    <year>2025</year>
   </pub-date>
   <volume>11</volume>
   <issue>3</issue>
   <fpage>109</fpage>
   <lpage>128</lpage>
   <history>
    <date date-type="received" iso-8601-date="2025-10-22T00:00:00+03:00">
     <day>22</day>
     <month>10</month>
     <year>2025</year>
    </date>
   </history>
   <self-uri xlink:href="https://sn-philol.cfuv.ru/baron-de-bazankur-literator-istorik-voennyj-korrespondent-chast-viii-montanyar-vs-anzh-pitu/">https://sn-philol.cfuv.ru/baron-de-bazankur-literator-istorik-voennyj-korrespondent-chast-viii-montanyar-vs-anzh-pitu/</self-uri>
   <abstract xml:lang="ru">
    <p>Роман барона де Базанкура «Монтаньяр, или Две республики. 1793 год – 1848 год» (1850–1851) стал  одним  из  первых  масштабных  художественных  обращений  к  событиям  Великой  французской революции. Текст создавался  в условиях политической борьбы и преследовал  идеологические цели. Между  тем  автору  приходилось  черпать  материал  из  сочинений  историков,  выводы  которых противоречили идеологическим установкам самого Базанкура. В статье анализируются использованные Базанкуром  приемы  интерпретации  исторических  фактов  в  соответствии  с  заданным  в  романе идеологическим вектором. Творческие решения в романе Базанкура рассматриваются в сопоставлении с  обновленной  художественной  тактикой  А. Дюма,  реализованной  в  романе  «Анж  Питу»,  также повествующем  о  Великой  французской  революции  и  созданном  одновременно  с  «Монтаньяром…» Базанкура.</p>
   </abstract>
   <trans-abstract xml:lang="en">
    <p>Baron de Bazancourt’s novel “Montagnard, or The Two Republics: 1793–1848 (1850–1851)” was one of the first large-scale artistic treatments of the events of the French Revolution. The text was created amidst political struggle and pursued ideological goals. Meanwhile, the author was forced to draw material from the works of historians whose conclusions contradicted Bazancourt’s own ideological principles. This article analyzes Bazancourt’s methods of interpreting historical facts in accordance with the ideological vector set forth in the novel. The creative solutions in Bazancourt’s novel are examined in comparison with the updated artistic tactics of A. Dumas, embodied in the novel “Ange Pitou”, which also tells the story of the French Revolution and was written simultaneously with Bazancourt’s “Montagnard”.</p>
   </trans-abstract>
   <kwd-group xml:lang="ru">
    <kwd>Барон де Базанкур</kwd>
    <kwd>Монтаньяр</kwd>
    <kwd>А. Дюма</kwd>
    <kwd>Великая французская революция</kwd>
    <kwd>1793</kwd>
    <kwd>Анж Питу</kwd>
   </kwd-group>
   <kwd-group xml:lang="en">
    <kwd>Baron de Bazancourt</kwd>
    <kwd>Montagnard</kwd>
    <kwd>A. Dumas</kwd>
    <kwd>The Great French Revolution</kwd>
    <kwd>1793</kwd>
    <kwd>Ange Pitou</kwd>
   </kwd-group>
  </article-meta>
 </front>
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