the 1920s in Moscow were a decade of vibrant artistic experimentation in the visual arts, literature, theater, and music. During this period, the city became a magnet for young talents, intellectuals, and foreign cultural figures. The post-revolutionary years, marked by the formation of new ideological and cultural paradigms, also influenced the organization of museums, leading to the emergence of experimental approaches to exhibition design and new modes of interaction with audiences. Memoirs and diaries of cultural figures active in the 1920s – those not directly working at or with museums – often contain personal impressions of the way museums changed, as well as reflections on the challenges and contradictions of the era. These eyewitness accounts «from the outside» shed more light on the role that art museums played in Moscow’s cultural life during the 1920s. Such records often provide information about the practical aspects of how museums were organized, exhibitions held, and cultural heritage preserved. Analyzing these personal documents helps to amplify official sources, making the research more comprehensive and objective.
Russian Revolution, museum, museums in the USSR, art museum, 1920s, exhibitions, museums of Moscow
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